It's always a little dangerous, presuming to perform a well-known piece
before a typically ultra-critical Cambridge audience. But my rendition
of Mozart was well-received, much to my relief. They even gave me
flowers. Here's proof:



L-R: me (clarinet)
Margaret (voice- stirring renditions of bloody Scottish ballads)
Karina (flute- playful and sonorous)
Suzana (serious
Baroque opera expert, and marvellous soporano voice)
Masako (piano -
Japanese / Spanish stylistic interpretations)
Ruby (accompanist
and expert on original music manuscripts - impressive lady!)